both outsider and confidant, an erotic object and the soul of discretion. But the film’s biggest revelation is Murray, who does not suppress his inimitable persona so much as channel it into a remarkable evocation of this larger-than-life figure; the deadpan humour and sideways charm remain, but Murray holds himself differently, uncannily suggests Roosevelt’s unique, almost Cary Grant — like cadence, and gives the impression of a man bearing great responsibility with beguiling grace.
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